The Americans of Samaná

On Samaná peninsula, in the northeast of the Dominican Republic, live the descendants of freed African American slaves. The original group of about 34 families came in 1824 when the country had just been taken over by the newly independent black nation of Haiti. The scheme was initiated and financed by President Pierre Boyer of Haiti, with cooperation from the American Colonization Society (which had the dual motive of humanitarianism and the immediate expulsion of freed slaves.)

Although this caribbean nation is Spanish-speaking, about 8000 of the descendants still speak an American English from 1824. African American names, manners, music and some recipes like Johnny (or Journey) cake have been preserved among the increasingly homogeneous Spanish-Dominican culture. Unfortunately, the old American English is also threatened by "tourist English," which is replacing many local languages not just in Samaná but throughout the world.

Although a linguistic and religious isolation — the “Americanos” are protestant — has maintained customs and group identity, it has also undermined full inclusion in the developing economy. Also, a succession of dictatorial governments have outlawed English, sabotaged local development, and even destroyed the historic downtown of Santa Barbara, the provincial capital, in a deliberate fire. Once skilled, prosperous, and united, a large number of today's descendants are living in poverty. But, many still identify themselves as Americans and hope for repatriation, or at least some reunion with branches of their families in the United States.

Andrea Robbins and Max Becher 1999-2001

Franklin Wilmore, English Teacher

Nellie Phipps

Isabella Green

Rebecca Simon

Mary Jane Jones

Moses Pool

Samuel Wilmore

Elana King Rodney de Redman

Andrew Miller King

James Kelly

Anna Louisa Rodney

©Andrea Robbins and Max Becher 1998-2001
These works are chromogenic prints in metal frames.
Framed: 88.2 x 76.2cm (30" x 34.75").
Editions of 5.

Contact information

©Andrea Robbins and Max Becher 1996
These works are chromogenic prints in metal frames.
Framed: 88.2 x 76.2cm (30" x 34.75").
Editions of 5.

For more information please contact:
U.S - New York: Leslie Tonkonow Artworks + Projects, tel. 212 255 8450
American Fine Arts tel. 212 941 0401
Sonnabend Gallery tel. 212 627 1018
Atlanta, GA: Vaknin/Schwartz tel. 404 351 0035
Europe - Brussels, Belgium: Galerie Windows Bernier/Tanit tel. 32 2 511 8444

or email to Robbins/Becher at robbecher@aol.com
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